This fall, Yale’s DMCA will reopen as The Center for Collaborative Arts and Media. The center’s press release claims that “the renaming marks an important distinction and a better reflection of our core mission, to serve as an interdisciplinary arts research center for all Yale students, graduate and undergraduate alike.” Located at 149 York Street, the Center will formally announce …
Matthew Pillsbury ’95: Sanctuary
Through November 22nd, Benrubi Gallery is displaying the photography of Matthew Pillsbury ’95. The exhibition, Sanctuary, focuses on urban communities and everyday life, but also considers the political context of major cities in our current political discourse. The gallery adds, “Sanctuary shows a wide variety of urban environments, from museums and galas to parades and protests and public plazas and beaches. Some are …
Stories of Almost Everyone
The Hammer Museum will feature Stories of Almost Everyone, a collection that explores the storytelling and historiography process of art. The museum explains the exhibition’s inspiration, “In recent years, a continued emphasis on an art of ideas—inherited from the legacies of conceptual and post-conceptual artistic practice—has sought to further develop strategies in the service of communicating social, political, and economic histories. …
Kellie Jones ’99PhD: South of Pico
South of Pico, a new book by Kellie Jones ’99PhD, will be the topic of discussion at the Hammer Museum’s October 25th event and book signing. In the book, Jones analyses the development of Los Angeles’ energetic arts community in the 1960s and 1970s. The program is free, and coffee and tea will be provided. For more information, please visit …
Martin Puryear ’71BFA/MFA Solo Exhibition
The Parasol unit foundation for contemporary art will exhibit works of Martin Puryear ’71MFA/MFA from across his nearly 40 year long career. This is Puryear’s first public exhibition in London and will feature more than 30 works. Parasol unit describes Puryear’s style and the exhibition in its press release. “Martin Puryear’s abstract sculptures are extraordinary. His reductive forms have a unique aesthetic …
PISSED: Panel and Conversation
On September 26, multiple Yale affiliates and leaders will take part in PISSED, “a panel and conversation about art, architecture and legal action as tactics for promoting inclusivity.” Speakers include Titus Kaphar ’06MFA, Yale Architecture Professor Joel Sanders, Cassils, Chase Strangio, and Jack Halberstam as moderator. The event is co-sponsored by NYU’s Center for the Study of Gender and Sexuality. …
Prospect 4: The Lotus in Spite of the Swamp
“The Lotus in Spite of the Swamp evokes New Orleans’s natural environment—surrounded by bayous, lakes and wetlands near the mouth of the Mississippi River. It also alludes to the city’s unique cultural landscape as a creative force; the politically engaged jazz saxophonist Archie Shepp described jazz itself as a triumph of the human spirit, a lily that grows “in spite of …
Andrew Carnduff Ritchie Lecture
Established to honor the memory of Andrew Carnduff Ritchie, Yale University Art Gallery director from 1957 to 1971, the annual Ritchie Lectures, which are jointly sponsored by the Center and the Gallery, bring distinguished members of the international visual arts community to the university. These lectures are free and open to the public, honoring Ritchie’s belief that the art museum …
Njideka Akunyili Crosby ’11MFA Featured in W Magazine
Last month, W Magazine highlighted the work and success of Njideka Akunyili Crosby ’11MFA. At 34, Akunyili Crosby has already exhibited at the Whitney Museum of American Art and won numerous awards, including the Prix Canson. Many of her works explore Akunyili Crosby’s experiences of growing up in Nigeria and coming to the United States. She explains, “I wanted to put out …
Mickalene Thomas ’02MFA: Mentors, Muses, and Celebrities
From September 8 – December 31, 2017, Mickalene Thomas ’02MFA will be displaying Mentors, Muses, and Celebrities at the Contemporary Art Museum St. Louis. The museum writes that the exhibit “recasts and reconfigures notions of beauty, gender, race, and representation.” Find more information and details here.
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